Best Microphones for Voiceovers

Finding a microphone that showcases your voice can be a bit of a trial. There are tons of self-described microphones for vocals out there. 

Finding the best microphone for voiceovers can be confusing a task. 

Finding the best microphone for voiceovers depending on the many types of criteria. Covering budget, requirements, etc. 

Based on my own experience, plus advice from expert sound technicians, this post will help you get the best voiceover microphone and any other equipment, whatever your brief. 

Blue Yeti Pro

First off, the Yeti is an easy pick. It’s an easy to use, legendary USB microphone. However, the ‘Pro’ version is especially recommended for voiceovers as it comes with USB and XLR connectivity. For a USB mic, it has fantastic audio quality. 

We’d advocate XLR for voiceover recording due to its flexibility. The mic can plug into an external preamp or audio interface, providing more freedom for adjusting the sound quality. Like adding FX, gain, additional EQ – something that is unavailable going straight into a USB port.


  • The Yeti Pro provides a whopping 24-bit/192 kHz audio resolution. 
  • Built-in A-D converter – basically a preamp) if you want to use it via a USB route 
  • Four adjustable pattern settings. Cardioid (recommended for voiceovers in a studio). Omnidirectional, stereo, and bi-directional – he is helpful if you want the microphone for other situations. 

Best USB for YouTube/ Twitch – HyperX QuadCast

The HyperX Quadcast mic is everything you could ask for in a USB mic. This is an excellent acquisition for someone considering streaming or recording or uncomplicated at-home voiceover work.

Easy to set up, produces an excellent sound for voiceover recording, and comes with some nice extra kit. It includes an anti-vibration shock mount that is easily attached to any other gear. It also possesses gain controllers and a built-in pop filter.

There’s also a mute function. While various pickup patterns make it easy to switch between stereo and cardioid functions without taking everything apart. 


  • Anti-vibration shock mount
  • Built-in pop filter
  • Mute sensor LED indicator
  • Mount adapter included
  • Compatible with many devices and recording programs
  • 4 polar pattern options
  • Solid but lightweight build
  • Audio headphone jack

Next best USB microphone – Samson G-Track Pro

This is a great USB microphone and is close to the Yeti. It is also slightly more affordable. 

The G-Track Pro comes with a built-in (removable) desktop stand. The mic also includes controls for:

  • Recording select switch (mono or two tracks).
  • A polar pattern switch button.
  • Mic volume.
  • Instrument volume.
  • Headphone volume knob.
  • A master mute button.

This is the higher-end range for USB microphones, coming with a 24-bit/96 kHz resolution for recordings. 

It also has a ‘built-in’ audio interface, albeit not as effective as standalone interfaces. It will save buying a mixer if you prefer to go the USB direct to computer. 

Rode NT1A

The Rode is a great and more affordable studio-quality condenser microphone that works well on voiceovers. Depending on where you get it from, it can come as a package, including a pop filter and shock mount.  

If you need the additional gear, then this could work. However, you might need a stand or audio interface. It is also an XLR-only microphone. 

The extended dynamic range and high sound-pressure level tolerance mean it can handle both shallow sound and any distortion. The Rode NT1-A is a superb microphone that costs surprisingly less than you’d expect. 


  • The mic also incorporates a JFET impedance converter – ensures quality and conversion of your sound waves into your recordings.
  • Large diaphragm 1″ gold-sputtered capsule.
  • Cardioid polar pattern.
  • Ultra low noise, self noise of only 5dB (A)
  • Wide dynamic range.
  • Internal capsule shock mounting.

Mega expensive – Neumann TLM103

Ok, this one is on the pricey side. Neumann has unmatched quality but it comes at a cost. This mic is often used for studio vocals in the studio. 

Why is it so good?

Internally, it is top quality. It does not include a transformer – something that helps remove self-noise and improves the SPL handling. It also helps with feedback suppressing.

Interestingly it is smaller than many of the mics here. This has no bearing on its sound quality. 


  • Large diaphragm capsule derived from the classic U 87 microphone.
  • Balanced sound with enhanced presence.
  • Cardioid pattern.
  • Transformerless with high SPL capability.
  • Remarkably low self-noise – 7 dB-A.

Focusrite Scarlett 2i2 Studio

If you are looking for more than just a microphone, the Focusrite could be what you are looking for in the complete package. 

The microphone itself is reliable and inexpensive for a high-end condenser microphone. If you are in need of a feasible mic to record voiceovers, the included CM25 microphone is even pro-level – whatever you think that is. 

What we like here is the Focusrite Scarlett 2i2 audio interface. This is one of the most popular low-cost beginner audio interfaces you can get. 

It converts audio at 192 kHz and 24-bit, while having two microphone inputs, a separate monitor, and a headphone knob on the interface.

The package includes a pair of HP60 headphones. Quick note, this is often forgotten, but make sure your headphones are ok for recording. Some allow sound to leak into the mic. 

If you are looking for an all-in-one recording package for voiceovers, this could be it. 


  • Scarlett 2i2 USB audio interface.
  • CM25 large diaphragm condenser microphone.
  • HP60 closed-back headphones.
  • 3 metre / 10′ XLR mic cable.
  • Stand clip, for attaching the microphone to a stand.
  • Recording software and effects.

Audio-Technica AT4040 Large-diaphragm Condenser Microphone

The Audio-Technica AT4040 is an extension of the AT2020. It is a condenser microphone and technical precision allows recording a wide range of sounds without low-frequency distortions.

The big diaphragm is built for recording smoothly and naturally. However, you live in a noisy area, be aware it is very sensitive and picks up the slightest sounds.


  • ELEMENT Externally-polarized (DC bias) condenser.
  • POLAR PATTERN Cardioid.
  • FREQUENCY RESPONSE 20-20,000 Hz.
  • LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave.
  • OPEN CIRCUIT SENSITIVITY -32 dB (25.1 mV) re 1V at 1 Pa.

Shure SM7B Cardioid Dynamic Vocal Microphone

The Shure SM7B is a dynamic microphone. It’s cheaper than some condenser mics, but it can reproduce speech almost as well. 

The mic uses a cardioid polar pattern. The package includes three items besides the mic itself – foam filter, close-talk filter, and locking yoke mount. So, one more professional microphone to take a look at.


  • Shure SM7B Vocal Microphone.
  • Swivel (Yoke Mount) Stand Adapter.
  • Shure A7WS Broadcast-Style Windscreen for SM7, SM7A, and SM7B.
  • Shure RPM602 Switch Cover Plate for SM7A and SM7B Broadcast Microphones.

Creme de la Creme – Electro-Voice RE20 

The classic Electro-Voice RE20 is industry standard on voiceover; the RE20 is a classic cardioid dynamic microphone that can handle any kind of voice recording.

Its design and heavy-duty, internal pop filter diminish the proximity effect. 

The internal mount reduces vibration-induced noise. There’s also a bass roll-off switch, so spectrum balance is easily adjustable. 

To be honest this mic is for more than just voiceovers. Electro-Voice’s RE20 will sparkle when used on anything from voiceovers to drums to distant traffic. If you’re looking for a top-level broadcast studio mic with a great reputation, this is one to go for. 

The RE20 has a large diaphragm and a low-mass aluminum voice coil. The diaphragm assembly allows the microphone to reproduce high sound pressure levels (SPL) without distortion or overload.

Combine that with a humbucking coil housed inside a robust steel enclosure, and you get a mic that also resists magnetically induced hum and noise, making it a high-performance microphone for broadcasting studios, vocal booths, and other recording environments that may be overrun with hum and buzz.

We all have a tendency to get too close to the mic when recording. But the RE20 internal pop filter will handle that.

This microphone sports a cardioid polar pattern, so it’s perfect for picking up sounds in front of the mic and reject sounds from the sides and rear.


  • Variable-D for minimal proximity effect.
  • True cardioid with no coloration at 180-degrees off-axis.
  • Voice tailored frequency response.
  • Studio condenser-like performance.
  • Large diaphragm dynamic element.
  • Humbucking coil guards against line hum.

Checklist for the Best Voice Over Microphones

How much you need to spend  

Perhaps the most important thing to keep in mind is you don’t have to spend a ton of money to get the result you need. The most important factor is sound quality. But it depends on what the recording is being used for. 

Microphone type – condensers

Voiceovers really require a condenser microphone. 


First, you need to decide on connectivity. Both digital USB and traditional analog XLR work just fine for voiceovers. 

  • USB is more convenient, good for entry-level voiceover performers. 
  • XLR is more versatile. But is complicated to use.

A USB mic’s significant advantage is running off a USB connection straight to the computer. While XLR needs to link to a mixer.

USB mics are just convenient, and many have great sound. 

But ultimately, XLR will give you more options – but again, it comes down to the end requirement. There’s no point in spending a lot on the functionality you don’t need. 

An XLR connection enables you to use an external device for phantom power. You can choose either a microphone preamp or an audio interface. It means you can adjust gain, add FX, and shape your sound even more rather than rely on post-production. 

You cannot do this with a USB mic.

What is XLR and do I need it?

XLR is an audio interface for microphones. The cable has 3-pin connectors on both ends and goes to an audio interface, mixer, camera, or portable recorder.

The main difference between USB and XLR mics

USB microphones use a built-in audio interface. But the vast majority of mics are XLR, as they tend to be more in demand. 

Best External Mic for a GoPro

The original GoPro is a pretty good camera, but it has some audio limitations that make it less than ideal for certain situations.

Choosing the best external microphone for your GoPro camera can be tricky. Not only does the quality of sound matter, but also its size and portability.

What to look for in a GoPro Microphone

The first thing you should consider when choosing an external mic for a GoPro is how much noise you will be capturing in the environment where you’re shooting.

You don’t want to have to turn down the volume on your recording because of ambient noise. This can be especially problematic if you’re using the camera underwater or in windy conditions.

When it comes to buying microphones, there are two main types: omnidirectional mics and directional mics. Omnidirectional mics capture sound equally well in all directions. They’re great for capturing sounds from far away, like voices coming from speakers or music playing through headphones.

Directional mics focus their sound directly into a specific direction. These are better suited for capturing sounds that come from close by. 

Sennheiser MKE 440 microphone?

The Sennheiser MKE 440 has a cardioid polar pattern and is perfect for recording vocals, instruments, speech, conferences and more. The microphone has a frequency response of 20Hz-20kHz and is well suited for both professional studios as well as home studio use.


• Cardioid Polar Pattern • Well Suited For Both Studio And Home Recording Use • Good Sound Quality With A Wide Dynamic Range • Easy To Set Up & Operate CONS:

• Noisy When Used In Loud Environments • Not Ideal For High-End Audio Applications

Countryman Lapel on a GoPro?

The Countryman Lapel is a directional microphone that can be mounted on the top of the camera, held in hand, or clipped on a shirt collar. The mic has four polar patterns to choose from and a -10dB pad. You can adjust the sensitivity by turning the dial at the back of the mic.


Can mount anywhere you want it – Adjustable sensitivity


Not as good for windy conditions

Sound Professionals SP-TFB-2 microphone

Sound Professionals SP-TFB-2 microphone is an affordable option for the budget-conscious producer. This microphone is perfect for podcasts, voice overs, or any type of recording where a sensitive front microphone is needed. It has a low mass diaphragm with an aluminum voice coil that produces a warm sound signature with a wide frequency range.


• Low Mass Diaphragm • Aluminum Voice Coil CONS:

• No EQ control (only gain)


• Poor Wind Protection

Opteka VM-100 Video Condenser Shotgun microphone on a GoPro

Opteka VM-100 Video Condenser Shotgun video condenser shotgun mic is the perfect way to up your video quality. With this device, you will be able to record crystal clear audio with minimal interference. This mic connects to the 3.5mm, so you can plug it in to your GoPro and start recording.


  • The Opteka VM 100 has an omnidirectional pattern which allows for more natural sound than other directional mics. It also features a cardioid polar pattern that reduces background noise while capturing voice or music.
  • Its frequency response of 20Hz -20kHz makes it ideal for use as a vocal mic.
  • You can connect it directly to your camera via its 3.5 mm input jack.


  • It’s quite expensive compared to some other options available.

Sony ECMCS3 clip style omnidirectional stereo microphone 

The Sony ECMCS3 clip-on style omnidirectional stereo mic has been designed to fit any GoPro camera. It features a strong, yet flexible gooseneck that rotates 360 degrees and a clip to attach the microphone to your clothes.

After testing the GoPro Hero7 with other mics as well as built in mic I have found this mic under stereo settings produces the best audio recording. The over all sound quality in my application (POV Recording) is warm and in the meduum range. The overall reach was surprisingly wide. I was able to make out conversations clearly both in front and behind me within 15′ to 20′ while clearly hearing the crisp trail sounds happening around me while riding.


  • Strong, flexible gooseneck for easy mounting of the microphone onto clothing or equipment.
  • Clips easily into place with no tools required.
  • Easy to use – just slide it over the top of the camera lens.
  • No need to remove the battery from the camera before attaching the microphone.


  • The microphone is not waterproof so you will have to be careful when using in wet conditions
  • If you are wearing gloves while filming then this may cause problems as the microphone

Shure VP83 LensHopper

The Shure VP83 is a lens-mounting microphone that can be used with the Shure VX Series, Sennheiser MD421 and AKG C414 microphones. The VP83 is an omnidirectional condenser microphone that provides high-quality sound at a great price. 

It’s made of durable plastic and comes with a shock mount that attaches to the side of the camera. It includes a 1/4″ tripod socket and a 6′ cable with a standard XLR connector. It is also waterproof. 


  • Easy to set up and use.
  • Low profile design keeps the microphone away from the lens.
  • Lightweight and portable.


  • Not suitable for handheld shooting.
  • Can’t be mounted on a helmet.

What GoPro Cameras Accept External Mics?

When your camera is at the end of a 3 foot selfie stick, your mic is going to pick up lots of nearby sounds. Remember: When you’re using an external mic, your GoPro will no longer be waterproof. What GoPro Cameras Accept External Mics?

If you own any of these cameras, they will work with most external microphones.

  • Hero2/HERO+
  • Black Edition HERO4 Session
  • HERO5 Black Edition
  • HERO6 Silver Edition
  • HERO7 Black Edition
  • HERO8 White Edition
  • HERO9 Black Edition
  • HERO10 Black Edition
  • HERO11 Black Edition
  • HERO12 Black Edition
  • HERO13 Black Edition
  • HERO14 Black Edition
  • HERO15 Black Edition

Which GoPro models don’t accept external mics?

  • Hero7 Silver / White
  • Hero (2018) / (2014)
  • Hero+LCD
  • Hero4 Session
  • Hero Session

TRRS or TRS Jack for GoPro Mics?

The TRRS jack has been around since the early 2000s when Sony introduced its line of camcorders. It allows you to attach microphones directly to the body of the device without having to run wires through the housing.

However, if you want to buy a microphone specifically designed for mounting onto a GoPro, then you should look for a TRRS compatible product.

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